Dysira, desire, millions of wishes… are lyrics of the song Dysirare, which the public had recently heard on the scene of the Kosovo Accords in 1989, and returned after nearly four decades, this time at the festival edition organised by Kosovo Radio Television after the return of its historic name.
It was singer Deniz Begolli Gjini who brought this song back to the public, climbing to the scene of the Kosovo Accords on the second night as a special guest. A return that beyond musical interpretation brought back memories, homesickness, and special emotions for the artist and the public.
The elegant calm and tenderness that Denise followed made this return even more special. She herself described the emotion experienced after the performance as a dream.
I’m so excited and it’s a little hard to describe those emotions right after my performance. It’s like a dream that I want to last even longer. In 1989 I performed the song “Dedira, when even the latest edition of the Kosovo Accords, organised by Pristina Radio Television, has shown in an interview. RTK.
39, continuing love
Deniz’s musical journey is closely linked to the 039] selection group, with which he has been cooperating for a long time. She remembers this cooperation with a special emotional bond, naming the group a spirit source.
Since 1992, the singer has been living in Croatia, where she continues to be closely associated with music. There she works as a professor of music with children and leads a choir of women, continuing her devotion to art and musical education.
However, connection with the songs played over the years and with the Albanian public remains alive. Deniza has indicated that she is working on the collection of songs she has performed during her career, with the aim of summing up an album that she wants to leave Kosovo as a musical heritage.
Grateful for a Festival That Does Not Forget Artists
Emotions of return, satisfaction from organisation and meeting with colleagues, Deniza has expressed them in a post in her Facebook profile. She has praised the festival’s artistic and technical level, staff dedication, orchestra work and song arrangements by Ilir Bajri, as well as the commitment of conductor Memli Kelmendi.
For the artist, a special part of this experience was the meeting with her generation colleagues and the recognition of young artists who have impressed her well. It has isolated Sejat Jakupi’s interpretation, while for the group ʹHawolph has also expressed particular appreciation.
My heart is full, you inspired and inspired me with new ideas of cooperation, she wrote, thanking the organizers, artists, friends and family for support.
Among its assessments, Deniza has even praised the festival’s winner, Troy Bicurrin, while for the new talents and the future of music in Kosovo has expressed optimism.
Music in Kosovo is in the best hands. By working with this commitment, you will move forward and only heaven will be your border, the singer wrote.
At the end of her message, she has stopped by a feeling that seems to have accompanied her through all this return: gratitude that the public and the institution have not forgotten her generation artists.
I am grateful and grateful that you are not forgetting us, in these times where you are soon forgotten! With today’s market, it’s worth a lot to people, it’s been written by Denise Begoli Gin.
Its return to the scene of the Kosovo Accords was a meeting between the past and the present, where a song interpreted for the first time in 1989 again found its way to the public. A testimony that a country’s music memory is also built by artists who, although living far away, continue to keep Kosovo part of their creativity and heart.
Source Layer: RTKLive